Kviz Pogodi miksetu

[Surfer]

Evo recimo Michael Brauer, on je mlad ali ima talenta, bit će nešto od njega kad nauči akustiku

Pa poslušajmo što on kaže što mu je bitno kod miksanja:

"Most of my mixing is done listening to my little Sony boombox.
It sits behind me, on my rack number two, about four-and-a-half feet up from my ears and six feet back. Because the speakers of the boombox are relatively close to each other, I essentially listen in mono. The Sony is like a magnifying glass, it tells me whether my mix sucks or not. I use it for a similar reason to why most people use the NS10, and I will also sometimes play my mix briefly through a pair of NS10s, just to make sure everything is sitting nicely and is where it is expected to be, and because I want to get several different perspectives. But the Sony gives me a much more accurate picture."

[DaBear]

auuuuu al se zakuvalo !!???
Po meni soba (i akustika) ITEKAKO ima veze sa miksanjem !!
Ako soba ima tanak bass - prosecni (freelance) inzinjer ce da roka bas ko lud i obrnuto !!
Pa cak se i na tvojim primerima cuje da je Soundtracks mix basovitiji nego SSL koji zvuci tanje..(sigurno nije samo mikser zasluzan za to?)

Kao sto se ja sad smaram i zalamam kuci (gde sve odjekuje) za nesto sto sam za 5 minuta postizao u sobi sa sredjenom akustikom. Naravno, to sto sam 10 godina sedeo u dobroj sobi mi pomaze da znam sta ne valja ovde !!

[Surfer]

Originally Posted by DaBear

auuuuu al se zakuvalo !!???
Po meni soba (i akustika) ITEKAKO ima veze sa miksanjem !!
Ako soba ima tanak bass - prosecni (freelance) inzinjer ce da roka bas ko lud i obrnuto !!
Pa cak se i na tvojim primerima cuje da je Soundtracks mix basovitiji nego SSL koji zvuci tanje..(sigurno nije samo mikser zasluzan za to?)

Kao sto se ja sad smaram i zalamam kuci (gde sve odjekuje) za nesto sto sam za 5 minuta postizao u sobi sa sredjenom akustikom. Naravno, to sto sam 10 godina sedeo u dobroj sobi mi pomaze da znam sta ne valja ovde !!

MA ne govorimo o tome.
Priča je krenula da zvuk miksa ovisi vi?e o akustici nego o tom SSL-u.
Ja se s time apsolutno ne sla?em i dajem svoj primjer i dajem primjer freelancera kojima je svejedno gdje će miksati samo ako ima SSL.

Jedno je zvuk miksa a drugo je da li ima previ?e basa ili je pretih vokal.

O tom se radi.


Anyway, stavit ću sad jedan aran?man koji sam radio a koji je miksao John Tilly na Soundtracsu u tom istom studiju i vidjet ćete da akustika nema nikakve veze sa tim, nego da se radi o talentu čovjeka koji radi.

Dakle, sve je isto samo drugi čovjek miksa.

[awacs]

Originally Posted by Surfer

Jedno je zvuk miksa a drugo je da li ima previ?e basa ili je pretih vokal.

Aj' ljubim te objasni mi razliku između "miksa" i "zvuka miksa". Ili mi bar objasni ?ta podrazumeva? pod "zvukom miksa", a ?to nema veze sa međusobnim odnosom frekvencija i relativnih jačina elemenata istog tog miksa??? Čisto da i ja naučim ne?to pod stare dane

Pozdrav,

Vasa

[Surfer]

Originally Posted by awacs

Aj' ljubim te objasni mi razliku između "miksa" i "zvuka miksa". Ili mi bar objasni ?ta podrazumeva? pod "zvukom miksa", a ?to nema veze sa međusobnim odnosom frekvencija i relativnih jačina elemenata istog tog miksa??? Čisto da i ja naučim ne?to pod stare dane

Pozdrav,

Vasa

Dakle jedno je BALANS miksa a drugo je ZVUK miksa.

Vokal mo?e istovremeno biti savr?ene glasnoće u miksu ali i zvučati u?asno u tom miksu.


BTW, ne da mi Soundcloud da uploadam copyrighted material
Kako to izbjeći?

[Everbeatz]

Originally Posted by Surfer

Evo recimo Michael Brauer, on je mlad ali ima talenta, bit će ne?to od njega kad nauči akustiku

Pa poslu?ajmo ?to on ka?e ?to mu je bitno kod miksanja:

"Most of my mixing is done listening to my little Sony boombox.
It sits behind me, on my rack number two, about four-and-a-half feet up from my ears and six feet back. Because the speakers of the boombox are relatively close to each other, I essentially listen in mono. The Sony is like a magnifying glass, it tells me whether my mix sucks or not. I use it for a similar reason to why most people use the NS10, and I will also sometimes play my mix briefly through a pair of NS10s, just to make sure everything is sitting nicely and is where it is expected to be, and because I want to get several different perspectives. But the Sony gives me a much more accurate picture."

Poslusajmo i sta Trevor Horn kaze

"The older I get, the more I like to work in a proper control room. I did a few years of that, but the reality of it is, you're better off in a proper acoustically controlled environment where you can hear what you're doing and it all makes sense. I went through a phase of working in houses and working in strange places ? a castle in Ireland and things like that. But in the end it was bullshit because it sounds crap and you can't really hear what you're doing. In a proper control room it forces you into being realistic about what you're recording."

[DaBear]

Originally Posted by Surfer

BTW, ne da mi Soundcloud da uploadam copyrighted material
Kako to izbjeći?

stavi na youtube onda....

[Surfer]

Originally Posted by DaBear

stavi na youtube onda....

Pa nijesam kaskader

[Surfer]

Originally Posted by Everlast

Poslusajmo i sta Trevor Horn kaze

"The older I get, the more I like to work in a proper control room. I did a few years of that, but the reality of it is, you're better off in a proper acoustically controlled environment where you can hear what you're doing and it all makes sense. I went through a phase of working in houses and working in strange places ? a castle in Ireland and things like that. But in the end it was bullshit because it sounds crap and you can't really hear what you're doing. In a proper control room it forces you into being realistic about what you're recording."

Mixing and recording.
Big difference !!!

[Everbeatz]

Originally Posted by Surfer

Mixing and recording.
Big difference !!!

radi se o kompletnom procesu, ne samo snimanje, a Trevor je puno veci autoritet od Michael Brauera..bar meni

i sam si se divio kako npr Skrillex ima perfektan lowend i da nema sanse da je to radjeno kuci...da nije mixao na boomboxu i super namestio subbass?

pretpostavljam da se mastering engineers se isto zaludjuju troseci velike pare na akustiku i monitoring da bi popravljali BAS ono sto tvrdis da nema veze kad je mixanje u pitanju?

nema tog SSL-a koji moze da zameni dobar monitoring