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Audio Software VST, DX, AU.... plug-in instrumenti i efekti, modularni sintovi i dizajn modularne sinteze, semplovanje, semplovi i sample libraries diskusije, koje sekvencere, editore, plug-inse koristite. Da li je bolji Sonar ili Cubase? Sound Forge ili WaveLab?.. |
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#1 |
VIP Member
Join Date: Aug 2003
Location: Bački Petrovac
Posts: 1,087
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"Without deviation from the norm, 'progress' is not possible." |
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#3 |
Moderator
Join Date: Jan 2005
Location: Novi Sad
Posts: 2,114
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dosadni su sa emulacijama...dokle vise?
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#4 |
Stara Rumski Elita 2003.
Join Date: May 2003
Location: SO
Posts: 2,364
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Meni je Softube obavezna alatka. Svaka cast toj firmi.
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#5 |
Member
Join Date: Nov 2008
Posts: 214
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također.
softube-ovi pluginovi FET i CLb1 mi super rade. |
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#6 |
Pro Member
Join Date: Mar 2006
Location: Nis
Posts: 2,420
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Jeste dobar softube, ali ja uvek pribegnem Stillwell-ovom The Rocket-u :S
Osim Stillwellovog Rocket-a i Major Tom-a, i kompresora sa Duende Channel strip-a, ne koristim nista vise i ne osecam potrebu :S |
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#7 |
VIP Member
Join Date: Aug 2003
Location: Bački Petrovac
Posts: 1,087
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Cl1b iako fenomenalan kompresor,nisam jos ni jednom uspeo negde konkretno upotrebiti(bar koliko se secam),uvek sam se pre ili kasnije odlucio za neki drugi plug.U vezi fet kompresora,obicno koristim waves 1176 i UA 1176 emulacije ali u par navrata softube emulacija mi je fenomenalno odradila posao kada sa waves i UA varijantom nisam mogao dobiti takav ultra brzi atack/release kakav ima softube fet,a u kombinaciji sa wet/dry kontrolom stvarno zna opako zazvucati.Sa druge strane,Valley People Dyna-mite mi je u top 5 najkoriscenijih plugova,po meni ubedljivo najbolje zvuceci softwerski gate.Ekvilajzeri su takodje odlicni...
Nemam iskustva sa hardwerskim TLA-100 ali ono sto znam o njemu od ranije da je veoma koriscen kompresor tokom poslednjih 20tak godina,mnogim inzinjerima omiljen alat za vokale,bas,gitare poznat kao "set-and-forget".Po mnogim primerima koje sam slusao,lici mi na nesto izmedju UA la-3a i la-2a karaktera,stim da ima dva tipa attack/release kontrole i verovatno dosta vecu fleksibilnost.Softube je poznat po odlicnim emulacijama tako da mislim da ovo sigruno moze biti veoma interesantan plug...
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"Without deviation from the norm, 'progress' is not possible." Last edited by alen; 09-10-2011 at 05:16 PM. |
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#9 |
Pro Member
Join Date: Mar 2005
Location: Uzicka Republika
Posts: 6,173
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CL1b je meni solidan, ali daleko iza Powercore emulacije istog, koji mi je mozda i najbolji soft kompresor koji sam probao
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#10 | |
Senior Member
Join Date: Nov 2004
Location: Beograd
Posts: 706
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evo sad sam pronasao: Differences Between TC Electronic's TDM/PowerCore Version and VST/AU/RTAS Version This VST/AU/RTAS version is built on the same modeling and algorithms as TC Electronic's TDM/PowerCore version. Soundwise, the only difference is how hot the input volume to the plugin is. This is a pure virtual concept and has nothing to do with the accuracy of the modeling. We just chose to run it a little bit hotter than TC Electronic. List of Differences Between TDM/PowerCore and VST/AU/RTAS ?Increased input volume by 16 dB (see next section about the Threshold knob). ?Removed L/L+R/R sidechaining functionality and added external sidechaining instead. ?Removed PowerCore specific on/off bypass functionality, the In switch and the clip meter. Convert Threshold Settings between TDM/PowerCore and VST/AU/RTAS In order to convert an old (TDM/PowerCore) setting to a new (VST/AU/RTAS) setting you only need to change the Threshold parameter by +16 dB (counter clockwise). The factory settings included with the plugin are already modified so that they corresponds to the factory settings in the TDM/PowerCore version. Old Threshold Setting (TDM/PowerCore) New Threshold Setting (VST/AU/RTAS) ?15 dB +1 dB = ?15 + 16 dB ?20 dB ?4 dB = ?20 + 16 dB ?30 dB ?14 dB = ?30 + 16 dB ?40 dB ?24 dB = ?40 + 16 dB |
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