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The Summit Audio TLA-100A by Softube
ovo bi trebalo biti vrlo vrlo interesantno...
http://www.softube.com/summit_tla100...enshot-400.jpg http://www.softube.com/summit_tla100.php |
Re: The Summit Audio TLA-100A by Softube
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Re: The Summit Audio TLA-100A by Softube
dosadni su sa emulacijama...dokle vise?
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Re: The Summit Audio TLA-100A by Softube
Meni je Softube obavezna alatka. Svaka cast toj firmi.
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Re: The Summit Audio TLA-100A by Softube
također.
softube-ovi pluginovi FET i CLb1 mi super rade. |
Re: The Summit Audio TLA-100A by Softube
Jeste dobar softube, ali ja uvek pribegnem Stillwell-ovom The Rocket-u :S
Osim Stillwellovog Rocket-a i Major Tom-a, i kompresora sa Duende Channel strip-a, ne koristim nista vise i ne osecam potrebu :S |
Re: The Summit Audio TLA-100A by Softube
Cl1b iako fenomenalan kompresor,nisam jos ni jednom uspeo negde konkretno upotrebiti(bar koliko se secam),uvek sam se pre ili kasnije odlucio za neki drugi plug.U vezi fet kompresora,obicno koristim waves 1176 i UA 1176 emulacije ali u par navrata softube emulacija mi je fenomenalno odradila posao kada sa waves i UA varijantom nisam mogao dobiti takav ultra brzi atack/release kakav ima softube fet,a u kombinaciji sa wet/dry kontrolom stvarno zna opako zazvucati.Sa druge strane,Valley People Dyna-mite mi je u top 5 najkoriscenijih plugova,po meni ubedljivo najbolje zvuceci softwerski gate.Ekvilajzeri su takodje odlicni...
Nemam iskustva sa hardwerskim TLA-100 ali ono sto znam o njemu od ranije da je veoma koriscen kompresor tokom poslednjih 20tak godina,mnogim inzinjerima omiljen alat za vokale,bas,gitare poznat kao "set-and-forget".Po mnogim primerima koje sam slusao,lici mi na nesto izmedju UA la-3a i la-2a karaktera,stim da ima dva tipa attack/release kontrole i verovatno dosta vecu fleksibilnost.Softube je poznat po odlicnim emulacijama tako da mislim da ovo sigruno moze biti veoma interesantan plug... |
Re: The Summit Audio TLA-100A by Softube
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Re: The Summit Audio TLA-100A by Softube
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Re: The Summit Audio TLA-100A by Softube
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evo sad sam pronasao: Differences Between TC Electronic's TDM/PowerCore Version and VST/AU/RTAS Version This VST/AU/RTAS version is built on the same modeling and algorithms as TC Electronic's TDM/PowerCore version. Soundwise, the only difference is how hot the input volume to the plugin is. This is a pure virtual concept and has nothing to do with the accuracy of the modeling. We just chose to run it a little bit hotter than TC Electronic. List of Differences Between TDM/PowerCore and VST/AU/RTAS ?Increased input volume by 16 dB (see next section about the Threshold knob). ?Removed L/L+R/R sidechaining functionality and added external sidechaining instead. ?Removed PowerCore specific on/off bypass functionality, the In switch and the clip meter. Convert Threshold Settings between TDM/PowerCore and VST/AU/RTAS In order to convert an old (TDM/PowerCore) setting to a new (VST/AU/RTAS) setting you only need to change the Threshold parameter by +16 dB (counter clockwise). The factory settings included with the plugin are already modified so that they corresponds to the factory settings in the TDM/PowerCore version. Old Threshold Setting (TDM/PowerCore) New Threshold Setting (VST/AU/RTAS) ?15 dB +1 dB = ?15 + 16 dB ?20 dB ?4 dB = ?20 + 16 dB ?30 dB ?14 dB = ?30 + 16 dB ?40 dB ?24 dB = ?40 + 16 dB |
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