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10-08-2013, 08:18 PM
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#1 |
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Re: Sample rate comparisons
Govorim on samplerate konverziji, aliasing-a i artefekta koji se javlja pri spustanju samplerate-a sa 96khz na 44khz pri koriscenju nekih softverskih konvertora.
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10-08-2013, 08:37 PM
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#2 |
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Re: Sample rate comparisons
Da li si cuo te razlike dok ih nisi video na grafikonu?
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10-08-2013, 09:57 PM
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#3 |
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Join Date: Nov 2009
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Re: Sample rate comparisons
Naravno da nisam cuo, ali svaki segment audio produkcije mi je bitan pa tako i ovo, ne mogu tek tako da okrenem glavu i da kazem: ma to nije bitno... kad najmanje sto mogu da odradim je to da mogu bar izabrati kojim cu soft convertorom spustiti sample rate.
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11-08-2013, 07:57 AM
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#4 | |
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Re: Sample rate comparisons
Quote:
Last edited by silicon science; 11-08-2013 at 08:02 AM. |
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11-08-2013, 11:31 AM
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#5 |
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Join Date: Nov 2009
Location: Bor-Timocka kajina
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Re: Sample rate comparisons
Pa sad malo eksperimentisem oko toga, radio sam tracking u 44.1, sigurno na 96 ne bih cuo razliku u audio kvalitetu na blind testu ali verujem da ima ko cuje a to su pluginovi. Sigurno ima razlike u kvalitetu kad trekujes synth na 44.1 i 192 ili 96 pogotovo to sve dodje do izrazaja na kraju.
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11-08-2013, 11:50 AM
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#6 |
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Join Date: Feb 2005
Location: Novi Sad
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Re: Sample rate comparisons
Snimati na 88/96 ili vise ima smisla samo ako ces i miksati na tom sampling rate-u pa tek na kraju master ( stereo miks) spustiti na 44.1/48.
Akustiku snimati na visem s/r od 48 k ima smisla ali sintove nikako, sint nema sta da ti ponudi od alikvota u tom frekvencijskom opsegu sto bi ti doprinelo boljem snimku , sta vise mozes samo uneti sum i smetnje. Dakle dokle god radis in the box ( programiras i koristis semplove) batali pricu o 88/96K jer neces imati koristi, a osim toga da bi stvarno cuo benefit 88/96 moras imati ozbiljno slusanje i ozbiljan prostor
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11-08-2013, 12:34 PM
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#7 |
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Re: Sample rate comparisons
U pravu si Moritz, slazem se sa tobom.
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24-08-2013, 01:13 PM
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#8 | |
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Re: Sample rate comparisons
Quote:
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25-08-2013, 06:45 AM
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#9 | |
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Re: Sample rate comparisons
Quote:
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