Paralelna kompresija!

[idekius]

Nije to nikakva moja dosetka, ili experiment... dosta moze da se nadje o tome. Na primer:

"JOE CHICCARELLI ON EQ & COMPRESSION

Parallel Compression: "One way of achieving the distinctive sound of your vocals or drum sound being slammed by a quality compressor while maintaining the dynamics and life of the original source, is to use an auxiliary and bus your vocal to the compressor, bring it back on the next channel and blend it with the original. So, quite often I'll apply gentle compression to my vocal channel on the insert but I'll also bus the vocal out to a secondary compressor and get the two compressors to work against each other almost * one is attacking and the other is releasing, those kind of effects.

"With drums, often I may not compress the individual drum mics at all but send them as a group to a Neve compressor or a Fairchild, compress the heck out of it and just blend in a little bit of it back into the mix. The combination might be anything from 70 percent of the dry, unaffected drums and 30 per cent of it super-compressed; to 50-50, depending on what the track needs. If the drums don't have enough tone, try using a compressor that has an automatic, very slow release on it. You'll find that it'll let the drums ring, and keep the drums constantly up there and hold their tone in your face as opposed to the drums' attack being overly dominant.

Joe Chiccarelli."

[DaBear]

[QUOTE=idekius]Nije to nikakva moja dosetka, ili experiment... dosta moze da se nadje o tome. Na primer:
[I]
"JOE CHICCARELLI ON EQ & COMPRESSION

Ma sve je u redu...i ja to radim svremena na vreme. Mr CHIKA(relli) uglavnom radi zivi bubanj...kad sam rekao experiment mislio sam da nema smisla to raditi na loopvima itd...malo se dobija...
Samo mislim iz onog sto je napisano da ih ni on ne tera na send. Pod auxillary buss / input, misli (valjda) kad posaljes nesto u jos jedan (paralelni - ovde zovu mult kanal) pa imas isti track na nekoliko fadera...pricali vec o tome, mislim...eh? valjda..jbmlga..

[idekius]

Heh... samo pitam za tvoje misljenje... ja paralelnu kompresiju koristim za instrumente koje hocu da izvuchem napred, a (to vec mozda tripujem) cini mi se da imaju i vecu "stabilnost" u mono slici i pri slusanju na manjim zvuchnicima... Ima to logike, ali da ne duzim sa tim jer ni ja u to nisam siguran...

U svakom slucaju, moja sopstvena zamerka na moj rad je upravo previse procesiranja... ali... sta ces... volim da cackam

Ja kao Mujo u onom morbidnom vicu:

-Dobije Mujo gangrenu i amputiraju mu u bolnici obe noge.
Dodje mu Haso u posetu i vidi Muju na krevetu bez nogu, ali i bez ruku...
Obrati se odmah lekaru:
-Ali doktore, gde su Muji ruke?
-Amputirao sam... znam ja njega, on bi to cackao!

[OFF]

Jesi probao na 1176 da ukljucis sva 4 dugmeta za ratio odjednom , kad je na auxu, npr?

[idekius]

Originally Posted by OFF

Jesi probao na 1176 da ukljucis sva 4 dugmeta za ratio odjednom , kad je na auxu, npr?

To preporucuju i ovi na GearSlutz... probao sam i O.K. je... ali, to mi deluje malo previse radikalno, pa to ne koristim

Koristim tako nesto na insertu, kad hocu da budem alternativan , pa sa 1176LN pravim fuzz distorziju... recimo za solo bass na visokim poljima, umesto gitarskog sola... ma bolje da ne pricam, pomislice neko da sam sishao s' uma

Ali... tako se zaista dobije ona farba slicna kao New Order - 60 mph... ona lepa i chudna distorzija je u stvari bas, a upravo nehumano presvirani 1176ln + malkice chorusa i ovoga i onoga da tako nesto....

[OFF]

Dobra je fora i za snare (ako je sniman posebnim mikrofonom, odozdo)

[Arthur]

...jos ako je veca kapsula, a attack i release namesteni na najkrace...auuu