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**idekius** · 11-08-2006, 01:38 PM

Nije to nikakva moja dosetka, ili experiment... dosta moze da se nadje o tome. Na primer:

"JOE CHICCARELLI ON EQ & COMPRESSION

Parallel Compression: "One way of achieving the distinctive sound of your vocals or drum sound being slammed by a quality compressor while maintaining the dynamics and life of the original source, is to use an auxiliary and bus your vocal to the compressor, bring it back on the next channel and blend it with the original. So, quite often I'll apply gentle compression to my vocal channel on the insert but I'll also bus the vocal out to a secondary compressor and get the two compressors to work against each other almost * one is attacking and the other is releasing, those kind of effects.

"With drums, often I may not compress the individual drum mics at all but send them as a group to a Neve compressor or a Fairchild, compress the heck out of it and just blend in a little bit of it back into the mix. The combination might be anything from 70 percent of the dry, unaffected drums and 30 per cent of it super-compressed; to 50-50, depending on what the track needs. If the drums don't have enough tone, try using a compressor that has an automatic, very slow release on it. You'll find that it'll let the drums ring, and keep the drums constantly up there and hold their tone in your face as opposed to the drums' attack being overly dominant.

Joe Chiccarelli."

11-08-2006, 01:38 PM	#3
idekius Mason Join Date: May 2003 Location: Otkude Ni?, Serbia Posts: 5,520	Re: Paralelna kompresija! Nije to nikakva moja dosetka, ili experiment... dosta moze da se nadje o tome. Na primer: "JOE CHICCARELLI ON EQ & COMPRESSION Parallel Compression: "One way of achieving the distinctive sound of your vocals or drum sound being slammed by a quality compressor while maintaining the dynamics and life of the original source, is to use an auxiliary and bus your vocal to the compressor, bring it back on the next channel and blend it with the original. So, quite often I'll apply gentle compression to my vocal channel on the insert but I'll also bus the vocal out to a secondary compressor and get the two compressors to work against each other almost * one is attacking and the other is releasing, those kind of effects. "With drums, often I may not compress the individual drum mics at all but send them as a group to a Neve compressor or a Fairchild, compress the heck out of it and just blend in a little bit of it back into the mix. The combination might be anything from 70 percent of the dry, unaffected drums and 30 per cent of it super-compressed; to 50-50, depending on what the track needs. If the drums don't have enough tone, try using a compressor that has an automatic, very slow release on it. You'll find that it'll let the drums ring, and keep the drums constantly up there and hold their tone in your face as opposed to the drums' attack being overly dominant. Joe Chiccarelli." __________________ http://www.facebook.com/idekius