Sve vreme se drzim na distanci, ne bi li izbegli jos jednu bespredmetnu raspravu "sta je bolje". Radio sam na mnogo kutija i prosao razne faze i zadovoljstva i nezadovoljstva i ponovnog otkrivanja nekih...
Od nedavno sam vlasnik Dynaudio BM 15 i zaista ne mogu da verujem da sam mogao i priblizno da poverujem u price tipa "Hi fi" , "Los centar" ili tome slicno.
BM 15 je kutija koja trazi dovolljno veliku sobu da bi pruzila svoj potencijal i dosta vremena (kao i svaka kutija) da bi se ispravno pozicionirala. Kada se sve to desi, imas slusanje koje je sve, samo ne ono sto sam procitao u predjasnjim postovima.
Cuju se takve razlike u produkciji, detalji koji su ti bukvalno kada zazmuris "na dohvat ruke", ispred tebe, sve je toliko jasno i lako za rad, pocevsi od samog mixa u tehnickom smislu do duzine vremena koju provedes u njemu bez zamora usiju i bola koji se javlja posle 10 sati svakodnevnog rada. U 5 sekundi ti je jasno sta je vrhunska produkcija, a sta ti se do tada cinilo da jeste.
Mogu vam reci da sam posle nabavke ovih monitora bio iznenadjen vecinom onog sto sam cuo i u vecem broju slucajeva sam primetio nedostatke produkcije koja je na raznim monitorima do sada bila prilicno solidna, da ne kazem dobra, a samo mali broj i to stvarno jakih produkciija je "zasijao" jos jace.
Trebao mi je period od sigurno mesec i po dana adaptacije i pozicioniranja, ali mi se vreme mixa pocelo drasticno smanjivati.
Posto sam po prirodi skeptik i ne volim da stvari idu previse lako, ja jos uvek sve to drzim pod lupom i proveravam kod sebe na jos dva slusanja, kao i po prijateljima koji imaju referentne sisteme, sto Hi Fi, sto studijske.
U 95% slucajeva sam zadovoljan "iz prve", tako da zaista ne bih mogao reci nista lose o ovim kutijama.
Evo isecak jednog posta Bob Katza:
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Originally Posted by bob katz
By all means get a professional acoustician to analyse the room, its dimensions and possible fixes. Angular walls are potentially a help, but the solidity of the walls and ceiling/floor and where you place everything is important, and then the interior treatment.
Dynaudios are very interesting monitors. They have absolutely no family resemblance. The designer has made a Danish smorgasborg of the line. They are all voiced differently and each model has to be looked at individually. As such, they've had a lot of misses, and a few great hits.
I'm fond of and recommend the BM15 and BM15A for mixing. I do not know the M1's. I've heard the M3's and they were colored to my ears. The Air25 is a very very nice speaker for mixing, provided you are willing to feed it a digital signal. It's the ONLY Air series speaker that has a respectable voicing and tonal balance to my ears.
Robert's been mixing every style under the sun with the 8040's, as has Eric Shilling. They're suitable for just about anything except for playing loud. I wouldn't do hip hop at loud volumes on them, but I know you could do it at medium volumes without a "loud-demanding" client in the room. Everything I've heard from Eric and Robert from the 8040's has translated everywhere. They do not sound at all like the old Genelecs, so don't let your (and my) previous experience with Genelecs apply.
I have no experience with the BM6A's. My guess is they are too small to get a great result. My guess is the 8040's can play a bit louder and go down deeper. But that's just an educated guess. If you use a sub, make sure the BM6A's go down deeply enough to get a low enough crossover point. In my book, anything over 60-80 Hz crossover is asking for imaging and translation trouble, unless you use a pair of subs that effectively turn it into a pair of full range speakers. By that time you can just get the 8040s or the BM15s instead.
The 8040s and the BM15s go down low enough so in most rooms for most mixing purposes you do not need a sub.
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