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-   -   Sugestije za sljedeci korak (http://www.rumski.com/forum/showthread.php?t=39024)

alen 16-10-2011 01:50 PM
Re: Sugestije za sljedeci korak
 
Moja greska za ADI-2,nisam video SPDIF,sorry..:ups:
Nemam konkretne prakse sa ADI-2,cuo sam samo kako zvuci ali po elementarnoj logici trebao bi da radi istovremeno konverziju u oba pravca.Da dobije signal na SPDIF in,prosledi ga na XLR uz istovremeno da primi signal sa XLR-a i vrati na SPDIF out.Vecina konvertora radi istovremene konverzije u oba pravca,verovatno i ADI ali svakako je bolje da neko sa foruma,ko ima prakse sa ADI-2 to i potvrdi.

nikolaivanic 16-10-2011 02:36 PM
Re: Sugestije za sljedeci korak
 
m audio 1010 rack
<table border="0" cellpadding="0" cellspacing="3" width="100%"><tbody><tr><td>10 x 10 24-bit/96kHz full-duplex recording interface </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>8 x 8 analog I/O on balanced/unbalanced 1/4? TRS </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>S/PDIF digital I/O (coaxial) with 2-channel PCM </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>SCMS serial copy management control </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>digital I/O supports surround-encoded AC-3 and DTS pass-through </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>up to 24-bit/96kHz fidelity </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>1 x 1 MIDI I/O </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>analog outs can directly drive up to 7.1 surround </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>+4dBu/-10dBV operation individually switched on rack-mount unit </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>word clock I/O for sample-accurate device synchronization </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>software-controlled 36-bit internal DSP digital mixing/routing </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>zero-latency monitoring </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>Apple G5 compatible - Incompatible exceptions </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>includes Ableton Live Lite music production software, so you can make music right away</td></tr></tbody></table>
Specifications

<table border="0" cellpadding="0" cellspacing="3" width="100%"><tbody><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">frequency response:</td><td>20Hz-22kHz, +/-0.3dB</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">dynamic range (A-weighted):</td><td>109dB (A/D), 117dB (D/A)</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">signal-to-noise ratio (A-weighted):</td><td>-109 dB (A/D), -117dB (D/A)</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">THD +N:</td><td>0.00072% (A/D), 0.00200% (D/A)




</td></tr></tbody></table>
 ADI-2
is a both compact and extremely flexible 2-Channel Hi-End AD/DA-converter. The small 9.5" unit offers top notch AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!
Key features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and its capability to run on a wide range of power supplied.
Tech Specs

Input AD: 1/4" TRS jack and XLR via Neutrik combo jacks, servo-balanced, completely symmetrical, DC-coupled signal path
Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Output DA: 1/4" TRS jack and XLR, servo-balanced, DC-coupled signal path
Dynamic range AD: 110 dB RMS unweighted, 113 dBA
THD AD: < -110 dB (< 0.00032%)
THD+N AD: < -104 dB (< 0.00063%)
Crosstalk AD: > 110 dB
Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted)
THD DA: < -103 dB (< 0.0007 %)
THD+N DA: < -100 dB (< 0.001 %)
Crosstalk DA: > 110 dB
Input/Output level, 0 dBFS @ Hi Gain: +19 dBu
Input/Output level, 0 dBFS @ +4 dBu: +13 dBu
Input/Output level, 0 dBFS @ -10 dBV: +2 dBV
Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz
Sample rate externally: 28 kHz - 200 kHz
Frequency response AD/DA, -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz)
Frequency response AD/DA, -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz)
Frequency response AD/DA, -1 dB: < 5 Hz - 70 kHz (sf 192 kHz)
Accepted power supply voltage DC 8 V - 28 V, AC 8 V - 20
Dimensions 215 x 44 x 130 mm
Warranty: 2 years

tomo 16-10-2011 02:37 PM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by alen (Post 314612)
Moja greska za ADI-2,nisam video SPDIF,sorry..:ups:
ma nema frke.:wink:

Quote:
Originally Posted by alen (Post 314612)
Nemam konkretne prakse sa ADI-2,cuo sam samo kako zvuci ali po elementarnoj logici trebao bi da radi istovremeno konverziju u oba pravca.Da dobije signal na SPDIF in,prosledi ga na XLR uz istovremeno da primi signal sa XLR-a i vrati na SPDIF out.Vecina konvertora radi istovremene konverzije u oba pravca,verovatno i ADI ali svakako je bolje da neko sa foruma,ko ima prakse sa ADI-2 to i potvrdi.
da, i meni logika govori da bi trebao moći i van i unutra, i digitalno i analogno.
ako netko zna iz prve ruke za ADI-2 ili neki drugi konverter ili način za takvo ne?to bio bih veoma zahvalan na informaciji/prijedlogu.

tomo 16-10-2011 02:42 PM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by nikolaivanic (Post 314613)
m audio 1010 rack
<table border="0" cellpadding="0" cellspacing="3" width="100%"><tbody><tr><td>10 x 10 24-bit/96kHz full-duplex recording interface </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>8 x 8 analog I/O on balanced/unbalanced 1/4? TRS </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>S/PDIF digital I/O (coaxial) with 2-channel PCM </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>SCMS serial copy management control </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>digital I/O supports surround-encoded AC-3 and DTS pass-through </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>up to 24-bit/96kHz fidelity </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>1 x 1 MIDI I/O </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>analog outs can directly drive up to 7.1 surround </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>+4dBu/-10dBV operation individually switched on rack-mount unit </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>word clock I/O for sample-accurate device synchronization </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>software-controlled 36-bit internal DSP digital mixing/routing </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>zero-latency monitoring </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>Apple G5 compatible - Incompatible exceptions </td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x">http://www.m-audio.com/images/spacer.gif</td></tr> <tr><td>includes Ableton Live Lite music production software, so you can make music right away</td></tr></tbody></table>
Specifications

<table border="0" cellpadding="0" cellspacing="3" width="100%"><tbody><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">frequency response:</td><td>20Hz-22kHz, +/-0.3dB</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">dynamic range (A-weighted):</td><td>109dB (A/D), 117dB (D/A)</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">signal-to-noise ratio (A-weighted):</td><td>-109 dB (A/D), -117dB (D/A)</td></tr><tr><td style="background-image:url(/images/interface/default2008/dotted-line.gif); background-repeat:repeat-x" colspan="2">http://www.m-audio.com/images/spacer.gif</td></tr><tr valign="top"><td width="140">THD +N:</td><td>0.00072% (A/D), 0.00200% (D/A)




</td></tr></tbody></table>
 ADI-2
is a both compact and extremely flexible 2-Channel Hi-End AD/DA-converter. The small 9.5" unit offers top notch AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!
Key features of this extraordinary flexible converter are balanced inputs and outputs, monitoring via headphone out, SteadyClock for optimal converter quality, 3-stage hardware input and output level control, and its capability to run on a wide range of power supplied.
Tech Specs

Input AD: 1/4" TRS jack and XLR via Neutrik combo jacks, servo-balanced, completely symmetrical, DC-coupled signal path
Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Output DA: 1/4" TRS jack and XLR, servo-balanced, DC-coupled signal path
Dynamic range AD: 110 dB RMS unweighted, 113 dBA
THD AD: < -110 dB (< 0.00032%)
THD+N AD: < -104 dB (< 0.00063%)
Crosstalk AD: > 110 dB
Dynamic range DA: 116 dB RMS unweighted, 119 dBA (unmuted)
THD DA: < -103 dB (< 0.0007 %)
THD+N DA: < -100 dB (< 0.001 %)
Crosstalk DA: > 110 dB
Input/Output level, 0 dBFS @ Hi Gain: +19 dBu
Input/Output level, 0 dBFS @ +4 dBu: +13 dBu
Input/Output level, 0 dBFS @ -10 dBV: +2 dBV
Sample rate internally: 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz
Sample rate externally: 28 kHz - 200 kHz
Frequency response AD/DA, -0.1 dB: 5 Hz - 21.5 kHz (sf 48 kHz)
Frequency response AD/DA, -0.5 dB: < 5 Hz - 43.5 kHz (sf 96 kHz)
Frequency response AD/DA, -1 dB: < 5 Hz - 70 kHz (sf 192 kHz)
Accepted power supply voltage DC 8 V - 28 V, AC 8 V - 20
Dimensions 215 x 44 x 130 mm
Warranty: 2 years

ovo su karakteristike. tu ne pi?e ono ?to sam pitao.:neutral:

nikolaivanic 16-10-2011 11:48 PM
Re: Sugestije za sljedeci korak
 
spdif istovremeno moze dati ulaz i izlaz. jedan cinch je za stereo in, drugi za out, takodje i opticki in/out
adi:
Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible

nikolaivanic 17-10-2011 07:52 AM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by alen (Post 314603)
@Tomo
Ako bas insistiras da zadrzis FP10,RME ADI-2 bi sasvim korektno legao u tu pricu.
http://www.rme-audio.de/en_products_adi_2.php

Posto kazes da dosta koristis spoljni procesing,a vec imas par pristojnih preampa,ja bih se otarasio FP10 i razmislio o mozda Lynx Aurora 8. Sa time bi imao opciju 8xAD konvertora za usnimavanja a pri mixu mozes konfigurisati varijantu 2+6,recimo da dva kanala koristis za monitoring a 6 ti ostaje za external procesing.U cubase-u recimo napravis konfiguracije za 6 external FX-s i imas ih svih 6 u radu na insertima gde ti sta treba i 6 outboard sprava koristis istovremeno....

Edit:moja greska,ADI-2 nema SPDIF tako da otpada u kombinaciji sa FP-10.Pogledaj ima li sta od dvakanalnih opcija i kod http://www.blacklionaudio.com/content.php?p=29
Slican predlog - jeftin a cool
Ako uzmes delta rack (pci slot) koja ima izuzetno cist ton, imas alternativu za presonus u snimanju, ili dodatnih 8 ulaz/izlaza u snimanju, ili 8 send/8 ret..
kasnije, ako ti vise lezi delta, batalis presonus, prodas i kupis samo neki stereo vrhunski adda za recording bitnih instrumenata na 2 kanala (vokala napr...), mada sama delta uz dobro predpojacalo razbija..

ps. da li snimas cisto ili vec zamasceno?
po meni je bolja opcija ici cisto (osim gde nisi 100% siguran u zvuk da je taj) pa kasnije u procesingu ponovo provlaciti kroz adekvatna predpojacala, overdrivove, zamascivace... jer onda mozes da biras, odustajes... menjas.

tomo 17-10-2011 08:45 AM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by nikolaivanic (Post 314640)
spdif istovremeno moze dati ulaz i izlaz. jedan cinch je za stereo in, drugi za out, takodje i opticki in/out
adi:
Output AD: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
Input DA: ADAT optical or SPDIF optical, SPDIF coaxial, AES/EBU compatible
da li si probao istovremeno izlaziti i ulaziti i analogno i digitalno?
ili zna? iz prve/druge ruke?



Quote:
Originally Posted by nikolaivanic (Post 314652)
Slican predlog - jeftin a cool
Ako uzmes delta rack (pci slot) koja ima izuzetno cist ton, imas alternativu za presonus u snimanju, ili dodatnih 8 ulaz/izlaza u snimanju, ili 8 send/8 ret..
kasnije, ako ti vise lezi delta, batalis presonus, prodas i kupis samo neki stereo vrhunski adda za recording bitnih instrumenata na 2 kanala (vokala napr...), mada sama delta uz dobro predpojacalo razbija..

ps. da li snimas cisto ili vec zamasceno?
po meni je bolja opcija ici cisto (osim gde nisi 100% siguran u zvuk da je taj) pa kasnije u procesingu ponovo provlaciti kroz adekvatna predpojacala, overdrivove, zamascivace... jer onda mozes da biras, odustajes... menjas.
buđet je oko 2 tisuće dolara, a predla?e? mi deltu.
pa onda najbolje da pustim presonusa i gotova stvar.:)
a, za čisto snimanje, a kasnije zama?ćivanje MORA biti
jako dobar konverter, inače se polako gubi slika i procesing nije
iste kakvoće.
dakle, meni treba 2 AD/DA hi-end za snimanje-AD/monitoring-DA/processing-DA&AD
da li kupiti odvojeno AD i DA pa imati dvije ?katulice ili neka pedeseta opcija....svaki prijedlog dobrodo?ao.

nikolaivanic 17-10-2011 09:55 AM
Re: Sugestije za sljedeci korak
 
mislim da je delta bolja od presonusa, imam je, vrhunski cist ton, nema predpojacala, samo line, oko 400eur (500usa?)
pogledaj podatke, uporedi sa adi i presonusom, a ja sam je testirao sa rme analizerom-bila je excelent
za out/in kao send bi bila odlicna, sigurno dosta bolja od procesinga koji ces koristiti na sendovima (narocito distorzije i sl)

U isto vreme sam koristio spdif in/out na vise uredjaja, radi ok.
na delti najstabilnija na svim freq... + ima world clock za sinhro...

quake2 17-10-2011 04:00 PM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by tomo (Post 314656)
buđet je oko 2 tisuće dolara, a predlažeš mi deltu.
pa onda najbolje da pustim presonusa i gotova stvar.:)
Pa normalno,kakva muljava delta 1010???Jedva je se resih i u ono vreme kada je bila jedna od retkih 8in-8out kartica.

Quote:
Originally Posted by tomo (Post 314656)
dakle, meni treba 2 AD/DA hi-end za snimanje-AD/monitoring-DA/processing-DA&AD
da li kupiti odvojeno AD i DA pa imati dvije škatulice ili neka pedeseta opcija....svaki prijedlog dobrodošao.
ili da uz mnogo srece uvijas nesto ovakvo a polovno jer je budzet nedovoljan http://www.cranesong.com/hedd-192.html ili ako hoces novo ipak ides na ADI8DS,nece se baciti visak kanala i sa njima neces imati nikakvih problema.Poprilicno su neutralni i pustaju ostatak opreme da u snimku i slusanju odradi svoje.Neces ni u jednom trenutku reci Vauuuu,ali neces se nikada ni zaliti na njih.Takodje analogija da 8 konvertora mora biti 4 puta skuplja varijanta od 2 da bi to bio isti kvalitet koju su s vremena na vreme ovde neki upraznjavali,takodje nema veze s vezom....uvek se jeftinije prodje sa vise kanala konverzije.Apogee je po meni preskup za ono sto se nudi,UA nikada nisam probao,HD3 mi je zvucno slican kao i ADI....muke su to,nema spavanja dok se ne potrosi kesh:).Samo nemoj kupovati deltu,molim te:banghead:

tomo 17-10-2011 04:24 PM
Re: Sugestije za sljedeci korak
 
Quote:
Originally Posted by quake2 (Post 314684)
Pa normalno,kakva muljava delta 1010???Jedva je se resih i u ono vreme kada je bila jedna od retkih 8in-8out kartica.



ili da uz mnogo srece uvijas nesto ovako a polovno jer je budzet nedovoljan http://www.cranesong.com/hedd-192.html ili ako hoces novo ipak ides na ADI8DS,nece se baciti visak kanala i sa njima neces imati nikakvih problema.Poprilicno su neutralni i pustaju ostatak opreme da u snimku i slusanju odradi svoje.Neces ni u jednom trenutku reci Vauuuu,ali neces se nikada ni zaliti na njih.Takodje analogija da 8 konvertora mora biti 4 puta skuplja varijanta od 2 da bi to bio isti kvalitet koju su s vremena na vreme ovde neki upraznjavali,takodje nema veze s vezom....uvek se jeftinije prodje sa vise kanala konverzije.Apogee je po meni preskup za ono sto se nudi,UA nikada nisam probao,HD3 mi je zvucno slican kao i ADI....muke su to,nema spavanja dok se ne potrosi kesh:).Samo nemoj kupovati deltu,molim te:banghead:
ma necu kupovati deltu, ne vidim nikakvog smisla pa i da mi i bude bolja od presonusa, nema smisla, ionako ću kad tad zavr?iti sa nečim jačim, pa za?to bi sada skakao sa jednog ponija na magarca ili obrnuto.:)
cranesong nisam čuo ali čini mi se da je super.
rme onda ne bih uzimao kada ka?e? da neću reći Vauuu,
a i načitao sam se da je mrvicu ispod "Vauuu" konvertera
pa bi grunuo pare na ne?to jače, da sam na konju ?to se tiče same konverzije.
apogee, lavry i slični konverteri se i meni čine da ko?taju puno za ono ?to nude samo ?to mi se isto tako čini, koliko i ekipa govori, da nisu toliko neutralni te da imaju neku određenu "vibru". a znam i albume koji su snimani sa njima. okej, oni su jedni od sto uređaja koji su kori?teni za dotične albume ali krenuo bih od toga, da mi to bude kako spada pa makar ne imao ostali hi-end stuff. nek bude snimljeno kako spada, monitoring mi je rje?en, pa ?to se ne mo?e rje?iti zbog nedostatka alata, naći će se već ideja i način kako da bend zvuči ?armantno i na mjestu.:)

mytek i benchmark sam imao priliku čuti i zvuče mi jako neutralno,
u toliko da mi ispada da pjesma nema neku uzbudljivost koliko je sve ravno i plosnato.
tako da bih mo?da uzeo ne?to od te dvije firme za DA, da pobolj?am monitoring i za vađenje kanala na procesing. ali AD bih uzeo ne?to sa koloritom.
i dalje nisam siguran kako bih sve to integrirao sam presonusom jer većina firmi tog ranga, kojeg gledam, rade standalone konvertere pa bi mi onda jo? bio tro?ak i komlikacija kupovati za njih nekakve firewire kartice i slično....


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