Zvin?i?u, pazi ovo (vezano za na?u pri?u o o feedback-u i interakciji), intervju sa S. Stevensom na guitar.com
Quote:
Guitar.com: Since you're using so many different amps while tracking, do you need to work in the control room?
Steve Stevens: I would say that 90 percent of the guitar stuff was recorded in the control room, but I did start missing some of that feedback. So what we did was we set up a little amp in the control room with a volume pedal on it. I think it was a Fender Champ that belongs to our producer, Keith Forsey. Any time I needed to have some feedback, it as literally aimed right at my guitar pickup. I used it for things like the beginning of "Scream," or anything with feedback. I would just step on the volume pedal and get feedback going. I think I read something about how Slash did that because you definitely do have a different feeling playing in the control room. There's something to be said about that direct connection between your pickup and your speaker cabinet. But at the same time, having to play to a track through headphones is not great. You feel more connected to the music when you're in the control room, but you feel more connected to your amp when you're next to it, so there was that trade off.
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