[ANITA]

Originally Posted by ridge

Ne one su savrsene za rad a uzasne za slusanje to je valjda svima jasno.
Ne znam dal ljudi znaju kako su ovi zvucnici postali monitori uopste al eto ispricacu ja.Znaci set ovih zvucnika je isao uz neku liniju iz prehistoriskog vremena za bezveze pare, i neki vrli producent ih je cuo i svidele su mu se pa je probao da radi na njima.Sad kako je mix ispao odlican pogotovu kad je sve to pustio na pravom ozvucenju kao i u "disko klubu" rece sebi HM pa ovo i nije tako lose.Od jednog do drugog stvar se rascula i postados ta linija trazena roba.Ljudi u Yamahi rekose u u u daj da napravimo to kao monitore i da naplatimo malo vise i tako nastadose NS10-tke.Znaci nisu one za slusanje dobre posto su bas i visoki u raspadu vec za rad jer ako na njima ima basa on rastura na svemu ostalom ITD

Tako mi je bar Baba ispricala!

A good monitor does not artificially exaggerate frequencies. You do not want a speaker that sounds like a "disco smile". That's where the bass and the treble are boosted and the mids are cut. They call it a "smile" because that's how it looks on a graphic equalizer. Lots of people really like that sound. If you like that sound, mix up a nice smile for your monitors. Then it might actually translate on other systems. But if you speakers make that automatically, you mix will be shown lacking in bass and high transients. Using that principle was the secret behind the Yamaha NS-10s, the most horrible sounding speaker ever made. On an NS10 there was no bass, no high end, just screeching awful sounding peaky mids. People who referenced on them had to boost the bass massively and cut the mids. The resultant mix? Yep, the disco smile. It made hit after hit and people thought they were magic. If you could make the shrill box sound passable, it would sound great everywhere else.

Cijeli tekst....
http://www.tweakheadz.com/studio_monitors.htm