Quote:
Originally Posted by Surfer
Evo recimo Michael Brauer, on je mlad ali ima talenta, bit će ne?to od njega kad nauči akustiku 
Pa poslu?ajmo ?to on ka?e ?to mu je bitno kod miksanja:
"Most of my mixing is done listening to my little Sony boombox.
It sits behind me, on my rack number two, about four-and-a-half feet up from my ears and six feet back. Because the speakers of the boombox are relatively close to each other, I essentially listen in mono. The Sony is like a magnifying glass, it tells me whether my mix sucks or not. I use it for a similar reason to why most people use the NS10, and I will also sometimes play my mix briefly through a pair of NS10s, just to make sure everything is sitting nicely and is where it is expected to be, and because I want to get several different perspectives. But the Sony gives me a much more accurate picture."  |
Poslusajmo i sta Trevor Horn kaze
"The older I get, the more I like to work in a proper control room. I did a few years of that, but the reality of it is, you're better off in a proper acoustically controlled environment where you can hear what you're doing and it all makes sense. I went through a phase of working in houses and working in strange places ? a castle in Ireland and things like that. But in the end it was bullshit because it sounds crap and you can't really hear what you're doing. In a proper control room it forces you into being realistic about what you're recording."